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14
Oct
Oct
From the increase and fall of silhouettes to the mandate on materials. A number of Pakistan’s most celebrated designers are back to unveil their latest gala and wedding wear collections. As Pakistan winter dresses as a part of PFDC Paris L’Oreal Bridal Week (PLBW).
Lahore participated in the host to the event. That started out on September 26 and had run till September 28. The evening witnessed a combination of colors and cuts. However, did not supply something distinctive.
Like every year, the fashion platform allowed emerges talent that includes Abbas Jamil, Elaha Ahmed, Mehak Yaqoob and Urwah Ali, who showcased their styles.
However, Jamil was the sole budding designer. Who put out a statement with his offerings. The piece that stood out the foremost was the one. That featured a majestic train made up of organza frills.
Whereas it perceived to be impressed by Paris style homes, Giambattista Valli and Ralph & Russo. The audience appreciated the workmanship and techniques concerned within the creating of the ensemble.
Here we break it down from the opening day of the entertainment.
Hussain Rehar
Brief introduction
Hussain Rehar has created an unbelievable mark on the Pakistani fashion scene. Inspired by nature, Rehar creates imaginative fantasies. His clothes have crisp lines, minimal aesthetics, and colors that pop. His work reflects the transient beauty of nature. As well as uncompromised strength. Hussain Rehar uses trendy sensitivity to form distinctive and feminine items for modern ladies.
Collection: Fateh Pur – The Queens Of Punjab
The designer opened the evening and opted for the standard Punjabi route. With lehengas and cholis dominating the ramp. His assortment was an ode to the fashionable Punjabi lady. Who carries her heritage through the growing metropolis. The gathering featured a mix of rich colors and dramatic motives. However unsuccessful miserably in terms of silhouettes and cuts. A number of the items didn’t even qualify as joyous wear (case in point. The solid blue long dress and dark charcoal robe with average embroidery on the bodice).
However, some creations caught our attention. The heavily adorned shirt in red and orange. With contrastive loose trousers comprising convoluted gold embroidery stood out from afar. Rehar’s attention to detail and aesthetic didn’t match. The gathering this point as we expected something additional distinctive and not so basic. Iffat Umar turned showstopper in a worked lehenga and long maroon front open shirt entailing gold tilla and dabka embroidery.
Nida Azwer
Collection: Anarkali
Inspired by the Mughal heritage of art and textiles, Azwer brought an impressive era to life along with her bridal line. Acknowledged for invigorating antique techniques whereas crafting ensembles, she stayed faithful her love for animals. The designer finely entwined her signature vogue with doses of delicate floral embroidery to make a dreamy assortment. She incorporated mirror and embroidery within the sort of gota on rich materials like tissue and net.
Heavily embellished and outsized shawls with shikaargah motives were paired with saris and stood out on the runway, creating them ideal for the winter wedding season as Pakistani winter dresses. Ivory and gold heavily superimposed net lehenga were teamed with an extended dupatta, each of that was worked with rich gota. A glitzy silver tissue frock with delicate hand embroidery was paired with an off-shoulder contrastive grey shirt – an unaltered piece from the collection. Overall, it had been an inevitable showcase.
Saira Shakira
Collection: Kali A Bloom
The designer duo’s bridal assortment was a consolidation of a range of crafts and ornamentation techniques using sequins, elaborate hand embroideries, and 3D gildings. It comprised a bevy of floral motives, that were appliquéd on ensembles, showcasing the art and techniques of Chatta Patti.
We witnessed beautiful dressmaking items with Byzantine detailing through the utilization of crystals, pearls, gota and sequins in pastel hues against contrastive bright colors.
Floor-length robes, long shirts paired with loose trousers and angrakhas in net, organza, tissue, silk, and jamawar completed the collection. it had been a good, statement-making showcase that may trend well during the marriage season.
Zubia Zainab
Collection: Dare to Dream
The design house opened the show on a sparkling note. Its offerings consisted of contemporary cuts within the sort of long robes and plunging necklines. The color palette preponderantly comprised pastels and nudes as well as lilac, peach, and cream. Zubia created the use of angular motifs, pre-pleated textures and a full ton of ruffles on the sleeves and neckline.
Tulle dresses and appliquéd sheer robes from the line would create excellent destination wedding wear however can’t be worn to traditional Pakistani weddings.
The collection was additional for cocktail dinners and parties during wedding celebrations. Ushna Shah closed the show in a very refined however bright tea pink lehenga, crust-like with sequins and mirror work, paired with a contemporary cut shirt.
